Words and music on the same page.

Most manuscript paper is built for instrumentalists: staff lines, margin, repeat. Songwriting asks for something different — a page that holds lyrics and melody together, without the back-and-forth between a writing notebook and a music pad. This paper puts both columns side by side and stays out of the way.

The layout

One column for the words, one for the music.

The page divides into two vertical columns. On one side, ruled lines for the text — lyrics, chord names, structure notes, a fragment of a title. On the other side, music staves for the melody, a harmonic sketch, a rhythmic pattern you want to fix before it disappears.

Because the two live side by side, a verse and its melody stay on the same line. You can write a lyric and immediately mark the note you hear it on, without interrupting either process or switching between two separate pads.

You choose which side the staves go on — left or right — and how wide the text column is. Set the stave column wider if you are sketching chords and arrangements; wider text for denser lyrics or working out rhyme schemes alongside the melody.

Nothing is printed on the page but the ruled lines and staves. No watermark, no logo, no footer — nothing to compete with what you are writing.

What it is for

From first idea to structured draft.

The same sheet serves different stages of the same song.

Capturing an idea. A melodic fragment arrives with words already attached. Writing both columns at once keeps the connection intact — the rhythm of the lyric and the rhythm of the tune stay in the same place on the page.

Working out the words. The ruled column is wide enough for several attempts at a line, corrections between them, and a note about why the second version works better than the first.

Sketching the harmony. Chord symbols above the stave, a bass line below, or a full melodic sketch across several staves — the music column holds whatever kind of harmonic thinking the song is asking for at this stage.

Structural planning. Use the text column to write verse labels, section markers and rhyme-scheme notes while the musical material evolves alongside them on the same sheet.

Common questions.

What makes this different from ordinary staff paper?

The page is split into two columns: one column of ruled writing lines for lyrics, chord symbols or notes to yourself, and one column of music staves for the melody, harmony or arrangement. The two sit side by side, so you can write a line of text and sketch the tune it belongs to without turning the page or reaching for a second notebook.

Can I adjust which side the lyrics and the staves are on?

Yes. There is a Mirror option that swaps the two columns — staves on the left, text on the right, or the default other way around. You can also slide the divider to give more room to whichever column you use more. The choices download into the PDF itself.

Is the paper free and watermark-free?

Yes. Every page is free to download and print. The paper itself stays silent — no logo, no watermark, no footer. Nothing on the page competes with the lines you are writing.

What sizes are available?

A4, B4 and A3, portrait or landscape. A4 fits easily on a desk, in a bag or in a folder. A3 is useful when you want wider staves or more room for arrangements with multiple parts below the lyrics.

What if I want to add chord symbols, tab or rhythmic markings?

The stave column is blank — it accepts any notation you want to add. Chord symbols above the stave, a rhythmic sketch, guitar tab notated on separate lines, or rough melodic notation all work on the same page. The ruled text column beside it gives a natural home for the words and arrangement notes.

Other tools on the site.

Open the tool and print your songwriting paper.

Set the column widths, choose your size and download a clean PDF. It opens with the notebook layout already selected.

Open the songwriting paper →
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