IT sul ponticello bow contact point core term Support my free tools
- Abbreviation
- s.p., sul pont.
How is sul ponticello played?
Draw the bow closer to the bridge than its ordinary contact point. Sul ponticello establishes the bridge-side direction but does not by itself fix one distance or require bow hair literally on the bridge; molto, alto, estremamente or a work-specific scale can request stronger degrees. Moving closer can emphasize upper partials while the fundamental recedes, but the bright, glassy, nasal, metallic or noise-rich result varies with bow speed and weight, string, register and instrument. Continue until another contact point, ord. or a clear endpoint is marked.
How does sul ponticello sound?
Brighter, more glassy, nasal and overtone-rich string sound.
In context
Italian sul ponticello means bowing at or near the bridge and is directly attested as s.p. and sul pont. in score legends and specialist references. It is the basic bridge-side member of a family that can be intensified by molto and other qualifiers, not the first step of one universally calibrated scale. Literal on-bridge playing and dietro il ponticello behind the bridge are distinct locations, and the local notation governs exact position, action and span.
Equivalent terms
- FR sur le chevalet
- DE am Steg
- DE nahe am Steg
- EN near the bridge
- DA ved stolen
- DA tæt ved stolen
Music theory and score context
See also
- Sul ponticello (gradations) — Lizzy Welsh
- Ponticello & sul tasto overview — Modern Cello Techniques
- Agustín Ramos — Gregería de grillos, performance legend
- Martin Loridan — Appendix: Compositions, string legends
- Caroline Traube — La notation du timbre instrumental
- Musicca — sul ponticello dictionary entry
- wissen.de — sul ponticello encyclopedia entry
- Simon Fischer — Soundpoints (Basics)