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How is Rimshot played?
Set the stick angle so its tip or bead reaches the head while its shaft contacts the rim at the same instant. The two contacts combine drumhead resonance with a hard rim component, usually creating a projecting crack whose exact loudness, colour and duration depend on drum, stick, point and force. Do not substitute stick-on-stick, where one resting stick is struck by the other, or rim click/cross-stick, where a stick pivots against the rim; VSL treats all three separately. A rimshot is an attack method, not automatically an accent mark, fixed dynamic, written staccato or sustained effect.
How does Rimshot sound?
A loud, cracking, woody accent — part snare tone, part sharp click — that cuts brightly through an ensemble.
In context
Rimshot is defined by simultaneous head-and-rim contact with one stick. An orchestral stick-on-stick stroke may be used as a different practical effect, but it is not the same mechanism, and rim click is separate again. No shortened textual form received three independent direct expansions of the complete headword, so Rimshot remains written out.