Orchestral Instrument Range Chart

A single-glance map of the orchestra by register — every standard instrument's ambitus at concert pitch, on one piano-keyboard axis.

Practical range Extended / virtuoso Woodwinds Brass Strings Keyboards Pitched percussion Concert (sounding) pitch · middle C = C4
C1
C2
C3
C4
C5
C6
C7
C8
Woodwinds
Piccolo sounds an octave higher
D5–C8
Flute
C4–D7
Alto Flute (in G) sounds a perfect 4th lower
G3–G6
Oboe
B♭3–G6
English Horn (in F) sounds a perfect 5th lower
E3–C6
Clarinet in E♭ sounds a minor 3rd higher
G3–C7
Clarinet in B♭ sounds a major 2nd lower
D3–B♭6
Clarinet in A sounds a minor 3rd lower
C♯3–A6
Bass Clarinet (in B♭) sounds a major 9th lower
B♭1–F5
Bassoon
B♭1–E♭5
Contrabassoon sounds an octave lower
B♭0–E♭4
Soprano Sax (in B♭) sounds a major 2nd lower
A♭3–E♭6
Alto Sax (in E♭) sounds a major 6th lower
D♭3–A♭5
Tenor Sax (in B♭) sounds a major 9th lower
A♭2–E♭5
Baritone Sax (in E♭) sounds an octave and a sixth lower
D♭2–A♭4
Brass
Horn in F sounds a perfect 5th lower
B1–F5
Trumpet in B♭ sounds a major 2nd lower
E3–C6
Trombone (tenor)
E2–F5
Bass Trombone
B♭1–B♭4
Tuba
D1–F4
Strings
Violin
G3–E7
Viola
C3–E6
Cello
C2–C6
Double Bass sounds an octave lower
E1–D4
Harp
C♭1–G♯7
Keyboards
Piano
A0–C8
Celesta sounds an octave higher
C4–C8
Pitched percussion
Timpani
D2–A3
Glockenspiel sounds two octaves higher
G5–C8
Xylophone sounds an octave higher
F4–C8
Vibraphone
F3–F6
Marimba
C2–C7
Tubular Bells
C4–F5
Crotales sounds two octaves higher
C6–C8

Ranges cross-checked across standard references — Adler, The Study of Orchestration; Kennan & Grantham, The Technique of Orchestration; Andrew Hugill, The Orchestra: A User's Manual; the Vienna Symphonic Library and Philharmonia instrument guides; and the consolidated charts at Dolmetsch Online and F. G. J. Absil. Practical ranges are the consensus an advanced player can rely on; extended bars show virtuoso or instrument-with-extension extremes, which vary by player and instrument.

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